I used to be afraid of practicing…
Growing up in a family of professional singers, I was surrounded by a lot of talent.
Could I really be talented if there was work and practice involved?
Surely, if I were any good, singing would always be easy and success would be natural, right?
Not to mention the fact that people can HEAR me practice-- before I'm performance ready!
Thankfully, my musical journey has taught me that it is in the practice room, with the glorious freedom to fail and succeed in small moments, that I am able to grow in a consistent way as an artist.
Though natural ability may affect where the "starting line" is placed, it is dedicated practice, study, and refinement of the vocal technique where "good singing" becomes an art form.
Gradual growth, in the safety of play and authenticity, is where the strongest foundation is built.
This is how I like to teach. I encourage my students to know that they will sound different when their voices mature, after much experience and study, but that doesn't mean they shouldn't be able to enjoy the voice they have now.
Growth is encouraged and expected, but is not forced in spurts. Rather, we take small steps toward our potential one at a time, enjoying the process, maturing alongside our ability.
Growing up in a family of professional singers, I was surrounded by a lot of talent.
Could I really be talented if there was work and practice involved?
Surely, if I were any good, singing would always be easy and success would be natural, right?
Not to mention the fact that people can HEAR me practice-- before I'm performance ready!
Thankfully, my musical journey has taught me that it is in the practice room, with the glorious freedom to fail and succeed in small moments, that I am able to grow in a consistent way as an artist.
Though natural ability may affect where the "starting line" is placed, it is dedicated practice, study, and refinement of the vocal technique where "good singing" becomes an art form.
Gradual growth, in the safety of play and authenticity, is where the strongest foundation is built.
This is how I like to teach. I encourage my students to know that they will sound different when their voices mature, after much experience and study, but that doesn't mean they shouldn't be able to enjoy the voice they have now.
Growth is encouraged and expected, but is not forced in spurts. Rather, we take small steps toward our potential one at a time, enjoying the process, maturing alongside our ability.